| Margherita Brillada | No Borders | 2019 |
| Hendrik Hohlfeld | Transcending Intent | 2019 |
| Chris Vermeulen | Agent-Based Modelling as a Method forParameter Modulation | 2019 |
| Andrea Vogrig | Abstract Practices | 2018 |
| Ernests Vilsons | Oscillations of a Parametric Mind | 2018 |
| Matuš Kobolka | Subversive Endeavours | 2016 |
| Julius Raskevicius | Object and Space: Developing Concepts by Making Software | 2016 |
| Amir Bolzman | Instrument Design for Live Electronics | 2015 |
| Jordy van Velthoven | Atomic Decompositions | 2015 |
| Pablo Castro | Aural Potential of Emergence | 2014 |
| Nikolaj Kynde | Audio Portraits of Musical Instruments | 2014 |
| Jonáš Gruska | Streams & Currents: Wireless Network Sonification and Other Works | 2013 |
| Younes Riad | Towards a Design of a Versatile Instrument for Live Electronic Music | 2013 |
| Xavier De Wannemaeker | Formalized Groove | 2013 |
| Payam Shahali | Objects and Morphology | 2012 |
| Tom Srugo | Harmonic Temporal Patterns and their Relation to Timbe and Scale | 2012 |
| Sjaak Jöbses | Evolutionary Computation for Computer Music | 2011 |
| Ezra Jacobs | Methodes voor het plaatsen van geluid in virtuele ruimte | 2010 |
| Casper Schipper | First Reflections on my Compositional Process | 2009 |
| Billy Bultheel | Polyphony - Time - Density | 2009 |
| Emmanuel Flores | Hybrid Sound Objects | 2008 |
| Luc Döbereiner | Structuring Symbolic Spaces | 2008 |
| Hugo Morales Murguia | Sonic Gestalts | 2007 |
| Olaf Kerckhaert | Zelfexpressie in elektronische muziek | 2007 |
| Voldemars Johansons | Information Structures | 2007 |
| Jeroen Liebregts | Klankmodellen als Chaotisch Systeem | 2006 |
| Gilad Woltsovitch | Space Sequencing | 2006 |
