| Student | Thesis Title | Year |
| Amit Dagim | Composing Synthetic Instruments, Organisms, and Environments | 2024 |
| Adomas Palekas | Microbiophonic Emergences | 2024 |
| Oscar Peters | Between the Instrument, Installation, and Sculpture | 2024 |
| Ege Şahin | The Other Border in Sound: A fugitive exploration of life in music | 2024 |
| Hugo Ariëns | Improvising Object Guitar | 2023 |
| Francesco Corvi | The Embodiment of the Ephemeral: Live Coding Adaptive Systems | 2023 |
| Nils Davidse | En Route | 2023 |
| Anna Khvyl | Composing for Spaces of Remembrance: Sound and Decolonial Resistance in War Commemoration | 2023 |
| Farzaneh Nouri | Énacteur: Composing with artificial improvisers | 2023 |
| David Petráš | Song and Site: Listening to the Environment of Traditional Music | 2023 |
| Andrejs Poikāns | Under the Nose: Explorations of a Silent Voice | 2023 |
| Kim Ho | Wat(er), am I? | 2022 |
| Martin Hurych | Processing of Listening in Urban Soundscape | 2022 |
| Lucie Nezri | 'rational' minds trying to find their own limits: probabilistic & rationally tuned computer music | 2022 |
| Wilf Amis | After the 12 Tones: tuning possibilities for the future-minded | 2021 |
| Margherita Brillada | Radio Art: An Expression of Social Relatedness | 2021 |
| Giulia Francavilla | Immersive Sound / Immersive Listening: Perception, consciousness, algorithmic composition | 2021 |
| Aleksandar Koruga | Symbolic music in the age of the algorithm | 2021 |
| Guzmán Calzada Llorente | Musical Explorations Through Spaces | 2020 |
| Jad Saliba | Stations of Exception: Revisiting Analog Radio for Live Performances | 2020 |
| Ernests Vilsons | Well-Structured Vocalizations: An Attempt to Immitate Birdsong | 2020 |
| Matthias Hurtl | Drowning in Aether | 2019 |
| Yannis Patoukas | Studio Manœuvres | 2019 |
| Chris Loupis | Bridging Isles | 2018 |
| Riccardo Marogna | Sailing Through the Score Map | 2018 |
| Amir Bolzman | Composing Circuits, Systems and Interaction | 2017 |
| Kyriakos Charalampides | Rhythmanalysis | 2017 |
| Dirar Kalash | The Unresolved Maqam | 2016 |
| Tomer Baruch | Entrainment, Participation and Speech | 2016 |
| Kacper Ziemianin | Non Musical Time as a Point of Departure | 2015 |
| So Oishi | Timbral Movements in Electronic Music Composition | 2015 |
| Siamak Anvari | Composing Music Based on Carpet Design | 2014 |
| Eddy Kazazis | Audio Descriptive Synthesis “AUDESSY” | 2014 |
| Siavash Akhlaghi | Modulating the Logics of Iranian Classical Music | 2013 |
| Kathrin Grenzdörffer | A bang, a Hiss, and a Sigh: Composing with the Rhythms of Sound and Work | 2013 |
| Ekkehard Windrich | Detroit Techno: The Aesthetics of Music without Stage and Performance | 2013 |
| Alberto Novello | From Invisible to Visible | 2012 |
| Bjarni Gunnarsson | Processes and Potentials | 2012 |
| Gabriel Paiuk | Tactility, Traces and Code | 2012 |
| Ioannis Tsirikoglou | Multidimensional Data-Sets for Sound Applications | 2012 |
| Jakob Leben | Artificial Neural Networks in Music Performance | 2012 |
| Marie Guilleray | Towards a Fluent Electronic Counterpart of the Voice | 2012 |
| Sara Pinheiro | Sound Intermittences | 2012 |
| Fani Konstantinidou | Aural Cognition and Listening Imagination in Electronic Music | 2011 |
| Babis Giannakopoulos | Stochastic Music as Metaphor | 2011 |
| Luc Döbereiner | Model and Material | 2010 |
| Takayuki Hamano | Reorganizing Dataflow | 2010 |
| Miguel Negrão | Strategies in Diffuse Spatialization | 2010 |
| Angel Faraldo | Bridging Opposites | 2009 |
| Hugo Morales Murguia | Instrumental Sound Structures | 2009 |
| Filipe Lopes | Õdaiko | 2009 |
| Ángel Arranz | Dismantling the Time | 2008 |
| Ji Youn Kang | The Holomovement of Music | 2008 |
| Ronald Boersen | Musical Expression | 2007 |
| Pandelis Diamantides | Integrating Analytical with Compositional Processes | 2007 |
| Martijn Tellinga | De regel voorbij | 2007 |
| Satoshi Shiraishi | A Real-Time Timbre Tracking Model Based on Similarity | 2006 |
| Sergio Luque | Stochastic Synthesis, Origins and Extensions | 2006 |
| Stelios Manousakis | Musical L-Systems | 2006 |
| Amy Beeston | Sonic Control in Interactive Audio Installations | 2005 |
Instruments & Interfaces theses
Audio Communication & Sonology theses
